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CMRRA

Canadian Musical Reproduction Rights Agency

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Search Results for:

How are the records grouped together in the CSV statement files?

Jul 29, 2015 by CMRRA

Within each file, the rows of data are grouped together in the following way:  1. By Distribution Type and Pool/Licensee; 2. By Publisher Number; 3. By Source Proprietary Work Number. For more detail on this, please refer to the Layout and User Guide for the new CMRRA Electronic Royalty Statement Format. To request a copy […]

Who do I contact if I have any further questions about my royalty statements and/or payment?

Jul 29, 2015 by CMRRA

You can contact our Royalty Department at any point if you require further assistance regarding your royalty statements and payments.

When will CMRRA begin to issue mechanical licences for other labels via LDS?

Jul 28, 2015 by CMRRA

Work has been done to support licensing in LDS of independent labels who have signed CMRRA’s Mechanical Licensing Agreement (MLA). We will begin to issue licences via LDS to these labels by the Fall of 2015. Licensing of Pay-as-you-press manufacturers in LDS requires additional development work that is scheduled for early 2016, following the conversion […]

I have located my Work, and while there is information contained in the License Responses grid, when I click the View option to see the associated Licence Details, the details do not appear. Why?

Jul 28, 2015 by CMRRA

There are several reasons why Licence Details may not exist. Below is a list of possible scenarios, where in all cases the work in question has been matched to a track on the release in question, but no licences have been issued: InHouse and Direct Licence situations – If there is an in-house licensing relationship […]

I have located my Work and the associated Licence Details grid displays the licence status as Confirmed but the Confirmed Date field is blank. Why?

Jul 28, 2015 by CMRRA

Prior to August 2014 CMRRA was not capturing the confirmation date in the licence response details grid. If the status value is Confirmed, though, then the label has accepted and processed the licence for payment.

Instructions on Searching for Musical Works

Jul 27, 2015 by CMRRA

The Work List search screen provides you with the ability to look up your work and share details for those works that you have previously registered with CMRRA. Along with details of the musical work, including your ownership share(s) and representation status for CMRRA’s various lines of business, the details of any licences that have […]

How do I access the Work, Licence and Royalty Statement Details related to Registered Accounts under the My Home page?

Jul 27, 2015 by CMRRA

Administrator Type Users/PUBLISHER ADMINISTRATORS WITH MULTIPLE PAYEE ACCOUNTS: Primary Account When you register as an administrator with multiple payee accounts, CMRRA will assist you in identifying your Primary Account. This is the account that links together your related catalogues and under which all Works and Licences can be viewed. When you sign in and reach […]

CMRRA Direct Technical Support

Please use the form below to contact CMRRA Direct technical support regarding CMRRA Direct web portal-related* questions only. When describing your technical difficulty in the contact form below, please be as specific as possible so that we can address the issue in as timely and complete a manner as possible. Please note that the following […]

New Client Survey

Welcome to CMRRA! Our clients matter to us and, to serve you better, we would like to know you better. Please take a few minutes to answer a quick questionnaire that will help us help you. Please contact us if you have any added questions. If you are a Songwriter who owns their own publishing, […]

What is an ISRC?

Jul 22, 2015 by cmrra

The ISRC (International Standard Recording Code) is the global identification system for sound recordings and music video recordings. Each ISRC is a unique and permanent identifier for a specific recording which is assigned as its digital fingerprint. Because an ISRC identifies a particular recording, and not the contained musical work, different recordings, edits, remixes, etc. […]

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