The Canadian Musical Reproduction Rights Agency (CMRRA), Canada’s leading mechanical reproduction rights licensing collective, announced today that they distributed over 57 million dollars to music publishers and self-published songwriters in 2020. Online streaming featured significantly in these figures, representing an increase of more than 17% compared to 2019’s distributions for streaming year-over-year. The Toronto agency, […]
In-House: Matthew Goldman
We spoke with Matthew Goldman, a Software QA Analyst and Business Analyst at CMRRA, and discussed the new development process he went through as well as his love of music. You recently participated in CMRRA’s new employee development assignment opportunity which allowed you to move roles from Licensing Trust Administrator to become a Software QA […]
Self-publishers give the industry something to talk about
Industry veterans Shirley Eikhard and Julian Taylor discover a long and rewarding path to success [Editorial note: CMRRA’s clients include music publishers who help guide and add tangible trusted value to songwriter careers as well as self-published songwriters who do the work directly. This month’s feature focuses on two stories from our self-published clients whose […]
Collect more royalties in four easy steps! How to sign up for International Collections.
Our new International Collections service with the Mechanical Licensing Collective (the MLC) and with IMPEL is now live. We’re thrilled that we are now able to share the steps on how to sign up. 1. If you’re already a client of CMRRA, download the addendum for International Collections here. (If you’re not already a client […]
In House: Shari Segal
This month, we spoke with Shari Segal, CMRRA’s Supervisor, Data Exchange. You are often described as the bridge builder at CMRRA. Can you tell us about your role and how you landed at CMRRA? After working a few years maintaining systems at an insurance company, I got my dream job. I was hired in 1990 […]
PROFILE : Anthem Entertainment Group’s Helen Murphy’s creative-first publishing philosophy
by Jon Dekel In a perfect world, Helen Murphy would be celebrating 2020 by spearheading José Feliciano’s long-awaited comeback. The Chief Executive Officer of Anthem Entertainment Group, Murphy spent the better part of 2019 setting the stage for a comeback by the legendary guitarist and singer. She directed and co-wrote a new documentary titled Behind […]
In House: Sagelee Dinnall Archer
We spoke with Sagelee Dinnall Archer about her role as an Online Licensing Administrator at CMRRA and her love of music. What was your path to CMRRA? My path to CMRRA was quite simple. In the summer of 2017, I’d just finished studying Music Performance and Technology (majoring in guitar) with the Metalworks Institute in […]
In House: Sandra Nettleton
We spoke with Sandra Nettleton, our Director of Licensing and Royalties at CMRRA, about reaching the 30 year milestone working at CMRRA and the changes she’s witnessed along the way. Congratulations on your 30 year milestone! You’ve witnessed the transition from paper statements to electronic files, what is the most significant development that you’ve been […]
In House – Karola Kinkel
This month, we spoke with Karola Kinkel, our Senior Royalty Administrator at CMRRA. Your hard work helps the royalties team process money for clients. Could describe the different things you do in your job at CMRRA? Having worked in almost every department in the last 27 years, CMRRA is part of my DNA. I thrive on dealing […]
PROFILE – UMPG’s Stephen Dallas on songwriter-first culture and the rebirth of music publishing
By Isabelle Spearin You could say that Stephen Dallas, Senior VP of Universal Music Publishing Group’s business, legal and digital business development division, has seen it all. Fronting the legal departments of three of the world’s largest music publishers over the last 15 years, he’s witnessed first-hand the industry’s darkest moments and ultimately, its rebirth. […]
